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Showing posts with label crime. Show all posts
Showing posts with label crime. Show all posts

Friday, November 9, 2012

Tom Hardy: Lonely Bartender Who Rescues Dogs From the Mob

The Dark Knight Rises' Tom Hardy may star in the crime drama Animal Rescue, based on a short story by Shutter Island and Mystic River author Dennis Lehane.

Variety reports that Michael Roskam (Bullhead) will direct the Fox Searchlight and Chernin Entertainment project.

The film reportedly "follows a lonely Boston bartender who rescues a puppy from a garbage can and becomes the target of the dog's abusive and mentally unstable former owner, while simultaneously getting caught in the middle of a criminal conspiracy playing out in his mob-controlled bar."


Source : ign[dot]com

Thursday, October 11, 2012

NYCC: Dynamite Nabs the Grimm License

Police procedurals and crime shows are a dime a dozen on TV these days. Grimm broke from the pack by offering a new twist on a familiar formula. The show centers around Detective Nick Burkhardt, who discovers that he is a member of a line of defenders called Grimm who protect the world from mystical creatures known as Wesen. The show features characters inspired by Grimm's Fairy Tales and similar stories.

Evidently NBC felt the time was right to expand the Grimm franchise beyond the confines of network TV. At NYCC today, Dynamite Entertainment announced that they've acquired the rights to produce comics and graphic novels based on Grimm. Grimm joins various other licensed properties at Dynamite, including Flash Gordon, The Lone Ranger, Green Hornet, and Voltron.

"The opportunity to delve even deeper into the Grimm universe is an exciting prospect. One we hope fans of the show and comic books in general will equally enjoy." said Executive Producers David Greenwalt and Jim Kouf in Dynamite's press release. "The medium will allow the story to go places we never could within the constraints of a television production. It's pretty cool."

Meanwhile, Dynamite President Nick Barrucci said, "Grimm is one of the hottest new genre shows on TV. We had asked NBC numerous times since Season One about licensing this great TV show as a Dynamite comic. They weren't ready to license in the first year, as they were still building the mythology. The second they opened up the license for proposals we offered an aggressive creative, financial, and marketing plan. Fans of the TV show will enjoy what we have in store and how the comics will complement the TV series."

Dynamite hasn't revealed what form these new comics might take or which creators will be tapped to produce them. It should be interesting to see how the Grimm comics compare to current fairy tale-inspired series like Bill Willingham's Fables and Zenescope's Grimm Fairy Tales franchise. We'll keep you updated as Dynamite releases more information.

Jesse is a writer for various IGN channels. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter, or Kicksplode on MyIGN.


Source : ign[dot]com

Wednesday, October 10, 2012

Ed Brubaker Sells Two New Espionage Dramas

Comic book scribe Ed Brubaker recently sold projects to both FOX and NBC. He is signed on to write and executive produce for both projects.

The former landed a new stylized crime thriller series called Rising Suns, which has Kyle Killen attached to executive produce alongside Brubaker. Killen's previous work includes the excellent but short-lived series Awake and Lone Star, so hopefully third time's a charm with this latest project.

According to The Hollywood Reporter, the story follows "an American Yakuza underboss fighting for his life -- sometimes with martial arts skills he honed during his time in Japan -- as he gets involved with the female FBI agent who's hunting him."

Meanwhile the not yet titled series at NBC centers on "a young female agent-in-training, who is part of her agency's cleanup crew and shadows a more famous agent erasing all traces of his missions." Brubaker will serve as EP along with Peter Traugott - the latter of whom is also busy executive producing the network's upcoming midseason series, Do No Harm, and Donald Glover's in-development new comedy.


Source : ign[dot]com

Thursday, September 27, 2012

Comic Book Reviews for 9/26/12

The final week of zero month is upon us as DC heads back to the last days of Krypton and even that dire evening in Gotham's Crime Alley. At Marvel, Spider-Man's plight with his new sidekick continues and the amazing run of Greg Rucka on The Punisher reaches its conclusion (kind of). Also, obscure X-Man Doop gets some time in the spotlight to astounding (and hilarious) results.

A quick note: with Joey heading on vacation and New York Comic-Con impending, the next couple of review round-ups will be a little thinner around the edges.

You also might notice that IGN as a whole has moved back to the 100-point scale. Love it; embrace it.

DC COMICS

All-Star Western #0

Written by Justin Gray & Jimmy Palmiotti | Art by Moritat

"All-Star Western #1 dropped us into the action with little explanation of who Jonah Hex is and where he came from. For those who first encountered Hex in that issue, All-Star Western #0 will serve as a bare-bones but helpful reference concerning Hex’s origin story. Readers who have been following him since the beginning are likely to be a bit more frustrated by the recapitulation." -Poet

Click to read the entire review!

Final Score:

6.6

Aquaman #0

Written by Geoff Johns | Art by Ivan Reis

"In terms of most of DC's books, the Zero Month event was timed well, arriving just after most books had wrapped up their second major story arcs. Aquaman is one of the notable exceptions. Issue #13 promised a climactic showdown between Arthur and Black Manta. But now we have to wait an extra month for the wrap-up to that storyline. In its place is a flashback issue that details Arthur Curry's transition from quiet teenager to king of Atlantis. Issue #0 has its definite strengths, but it really does read like a placeholder for more interesting stories down the road." -Jesse

Click to read the entire review!

Final Score:

7.5

Batman Incorporated #0

Written by Grant Morrison & Chris Burnham | Art by Frazier Irving

"These DC zero issues can really kill the momentum of a series. They jump back in time to the origin of a character or team and supposedly provide a nice jumping on point for new readers. For Batman Inc. it's especially strange, since the series is not that old. Even before the whole New 52, there were only a handful of issues out. It seems a bit odd to be going over all this again. Fortunately, Grant Morrison, Chris Burnham and Frazer Irving still produce a fun and interesting issue, even if it kinda of feels unnecessary." -Ben

Click to read the entire review!

Final Score:

7.5

Batman: The Dark Knight #0

Written by Gregg Hurwitz | Art by Mico Suayan & Juan Jose Ryp

"Move along, nothing new to see here. You like Batman? You've seen the Batman movies and read some Batman comic books? Then you know this story. Sure, this little take is well written and has a nice flow, but come on. Joe Chill? We know this DC. Everyone knows this. Let's get back to that Scarecrow story; it wasn't great but at least it wasn't the story of Crime Alley all over again." -Ben

Click to read the entire review!

Final Score:

5.0

Before Watchmen: Ozymandias #3

Written by Len Wein | Art by Jae Lee

"In terms of its story, Ozymandias ranks as possibly the least interesting and innovative of the Before Watchmen books. This series tells us absolutely nothing about the character we didn't learn from the original series. It's fortunate, then, that this book has the sublime visuals of Jae Lee to fall back on." -Jesse

Click to read the entire review!

Final Score:

6.5

The Flash #0

Written by Francis Manapul & Brian Buccellato | Art by Francis Manapul

"I’ll say this much: you won’t find a poorly drawn issue of The Flash. Francis Manapul never ceases to deliver impressive layouts to tell his and Brian Buccellato’s story. The page showing how Flash designed his costume looks incredible with the way the panels seem to spring from his costume-springing ring. It looks great, but the lack of a compelling narrative that matches the quality of the art continues to leave this series in the dust." -Joshua

Click to read the entire review!

Final Score:

5.6

The Fury of Firestorm: The Nuclear Men #0

Written by Joe Harris | Art by Yildiray Cinar

"It’s fairly common to hear about those thrust into the spotlight wishing for nothing more than to go back to their old lives. In comics, they usually get that chance for just long enough to taste relief before being thrown back into turmoil. The Fury of Firestorm spends Zero Month proving this corollary, and the style uses to do so makes it worth the trip." -Poet

Click to read the entire review!

Final Score:

7.0

I, Vampire #0

Written by Josh Fialkov | Art by Andrea Sorrentino

"Joshua Hale Fialkov and Andrea Sorrentino have been showing up a majority of DC’s New 52 since its debut one year ago, and they’ve done it again by using the zero issue in the best way I’ve yet to see. Not only do they tell how Andrew Bennett became a vampire, but they infuse the telling with details small and large that answer burning questions any reader might have. Chief among them, how did Andrew get that sexy white stripe in his hair?" -Joshua

Click to read the entire review!

Final Score:

9.5

Justice League Dark #0

Written by Jeff Lemire | Art by Lee Garbett

"It always strikes me as odd seeing a John Constantine that isn’t as sure of himself as we typically see him. It’s so engrained in his character to be cocky, that it’s strikingly uncomfortable to see him as anything but. Using that notion to full effect in JLD #0, Jeff Lemire paints a pretty stunning portrait of the DCU’s Constantine and just what the hell the nature of his relationship with Zatanna is. Though it’s a quick 20 pages, Lemire effectively transforms Constantine from a magic novice to the cocksure pirate that we know and love, all the while planting the foundations for the Justice League Dark story at large." -Joey

Click to read the entire review!

Final Score:

8.6

Red Lanterns #0

Written by Peter Milligan | Art by Ardian Syaf

"Red Lanterns #0 does not dare to do anything creative with its origin issue, and that proves to be its undoing. If you were wondering what foul deeds Atrocitus had to commit to gain his powers of blood prophecy -- and I’m talking foul -- then brace yourself for what Peter Milligan has in store. This issue reminded me of Neil Gaiman’s Sandman with its monsters and magic, but it has none of that story’s grace or ingenuity." -Joshua

Click to read the entire review!

Final Score:

5.9

The Savage Hawkman #0

Written by Rob Liefeld & Mark Poulton | Art by Joe Bennett

"The Savage Hawkman has generally distanced itself from the Thanagarian portion of Hawkman's mythology, focusing instead on simpler, more horror and action-based storylines. Considering that Hawkman has one of the more convoluted character histories in comics, that may have been for the best. The Savage Hawkman #0 is notable both in that it marks Rob Liefeld's final issue on the series and that it finally delves into Hawkman's connection to Thanagar. Though rough around the edges in some ways, this issue makes for a surprisingly enjoyable read." -Jesse

Click to read the entire review!

Final Score:

6.5

Superman #0

Written by Scott Lobdell | Art by Kenneth Rocafort

"Just as there was a return to Crime Alley over in Batman: The Dark Knight #0 this week, Superman #0 returns us to the well-documented last days of Krypton. Luckily, writer Scott Lobdell is able to find some new ground to cover and adds a wealth of new elements (and some odd twists) to the tale. The best thing I can say about this issue is that Lobdell finds a nice emotional hook for Jor-El’s discovery of Krypton’s eventual destruction: he makes the discovery the same day Lara tells him she’s pregnant. It’s a poignant moment that, unfortunately, is derailed by far less interesting notions of conspiracy theories and politics." -Joey

Click to read the entire review!

Final Score:

5.9

Talon #0

Written by James Tynion IV | Art by Guillem March

"The idea of Talon as a series is certainly sound; following a man that was able to break free of the Court of Owls’ clutches and try to redeem himself is a concept with plenty to offer. We could see him try and right the many wrongs he’d done as a Talon while trying to avoid assassination by the Court he betrayed. However, with Calvin Rose being a brand new character introduced in issue #0 – after we’ve seen the kinds of motivations that lead one to becoming a Talon – he’s got a long way to go to proving his worth as not only a hero of Gotham, but as the anchor of one of DC’s New 52." -Joey

Click to read the entire review!

Final Score:

7.0

Teen Titans #0

Written by Scott Lobdell | Art by Tyler Kirkham

"One of the best ways to draw out different aspects of Batman’s personality is to pair him with a new Robin. Tim Drake, a character with a personality distinct from both Robins who preceded him, entered Batman’s life at a very interesting time. Whether this retelling of Tim Drake’s path to the Bat-family is interesting as well is another question entirely." -Poet

Click to read the entire review!

Final Score:

5.2

Voodoo #0

Written by Josh Williamson | Art by Sami Basri

"Like Resurrection Man #0, Voodoo #0 is one of those Zero Month issues that simultaneously serves as a flashback tale and a series finale. One thing Voodoo has going for it that Resurrection Man didn't is that the ongoing plot threads will be continued in the pages of Grifter, meaning Josh Williamson isn't forced to tie up all the loose ends in the span of 20 pages. The result is a very straightforward but competently executed finale that offers readers no real surprises." -Jesse

Click to read the entire review!

Final Score:

6.5


Source : ign[dot]com

Wednesday, September 26, 2012

Comic Book Reviews for 9/26/12

The final week of zero month is upon us as DC heads back to the last days of Krypton and even that dire evening in Gotham's Crime Alley. At Marvel, Spider-Man's plight with his new sidekick continues and the amazing run of Greg Rucka on The Punisher reaches its conclusion (kind of). Also, obscure X-Man Doop gets some time in the spotlight to astounding (and hilarious) results.

A quick note: with Joey heading on vacation and New York Comic-Con impending, the next couple of review round-ups will be a little thinner around the edges.

You also might notice that IGN as a whole has moved back to the 100-point scale. Love it; embrace it.

DC COMICS

All-Star Western #0

Written by Justin Gray & Jimmy Palmiotti | Art by Moritat

"All-Star Western #1 dropped us into the action with little explanation of who Jonah Hex is and where he came from. For those who first encountered Hex in that issue, All-Star Western #0 will serve as a bare-bones but helpful reference concerning Hex’s origin story. Readers who have been following him since the beginning are likely to be a bit more frustrated by the recapitulation." -Poet

Click to read the entire review!

Final Score:

6.6

Aquaman #0

Written by Geoff Johns | Art by Ivan Reis

"In terms of most of DC's books, the Zero Month event was timed well, arriving just after most books had wrapped up their second major story arcs. Aquaman is one of the notable exceptions. Issue #13 promised a climactic showdown between Arthur and Black Manta. But now we have to wait an extra month for the wrap-up to that storyline. In its place is a flashback issue that details Arthur Curry's transition from quiet teenager to king of Atlantis. Issue #0 has its definite strengths, but it really does read like a placeholder for more interesting stories down the road." -Jesse

Click to read the entire review!

Final Score:

7.5

Batman Incorporated #0

Written by Grant Morrison & Chris Burnham | Art by Frazier Irving

"These DC zero issues can really kill the momentum of a series. They jump back in time to the origin of a character or team and supposedly provide a nice jumping on point for new readers. For Batman Inc. it's especially strange, since the series is not that old. Even before the whole New 52, there were only a handful of issues out. It seems a bit odd to be going over all this again. Fortunately, Grant Morrison, Chris Burnham and Frazer Irving still produce a fun and interesting issue, even if it kinda of feels unnecessary." -Ben

Click to read the entire review!

Final Score:

7.5

Batman: The Dark Knight #0

Written by Gregg Hurwitz | Art by Mico Suayan & Juan Jose Ryp

"Move along, nothing new to see here. You like Batman? You've seen the Batman movies and read some Batman comic books? Then you know this story. Sure, this little take is well written and has a nice flow, but come on. Joe Chill? We know this DC. Everyone knows this. Let's get back to that Scarecrow story; it wasn't great but at least it wasn't the story of Crime Alley all over again." -Ben

Click to read the entire review!

Final Score:

5.0

Before Watchmen: Ozymandias #3

Written by Len Wein | Art by Jae Lee

"In terms of its story, Ozymandias ranks as possibly the least interesting and innovative of the Before Watchmen books. This series tells us absolutely nothing about the character we didn't learn from the original series. It's fortunate, then, that this book has the sublime visuals of Jae Lee to fall back on." -Jesse

Click to read the entire review!

Final Score:

6.5

The Flash #0

Written by Francis Manapul & Brian Buccellato | Art by Francis Manapul

"I’ll say this much: you won’t find a poorly drawn issue of The Flash. Francis Manapul never ceases to deliver impressive layouts to tell his and Brian Buccellato’s story. The page showing how Flash designed his costume looks incredible with the way the panels seem to spring from his costume-springing ring. It looks great, but the lack of a compelling narrative that matches the quality of the art continues to leave this series in the dust." -Joshua

Click to read the entire review!

Final Score:

5.6

The Fury of Firestorm: The Nuclear Men #0

Written by Joe Harris | Art by Yildiray Cinar

"It’s fairly common to hear about those thrust into the spotlight wishing for nothing more than to go back to their old lives. In comics, they usually get that chance for just long enough to taste relief before being thrown back into turmoil. The Fury of Firestorm spends Zero Month proving this corollary, and the style uses to do so makes it worth the trip." -Poet

Click to read the entire review!

Final Score:

7.0

I, Vampire #0

Written by Josh Fialkov | Art by Andrea Sorrentino

"Joshua Hale Fialkov and Andrea Sorrentino have been showing up a majority of DC’s New 52 since its debut one year ago, and they’ve done it again by using the zero issue in the best way I’ve yet to see. Not only do they tell how Andrew Bennett became a vampire, but they infuse the telling with details small and large that answer burning questions any reader might have. Chief among them, how did Andrew get that sexy white stripe in his hair?" -Joshua

Click to read the entire review!

Final Score:

9.5

Justice League Dark #0

Written by Jeff Lemire | Art by Lee Garbett

"It always strikes me as odd seeing a John Constantine that isn’t as sure of himself as we typically see him. It’s so engrained in his character to be cocky, that it’s strikingly uncomfortable to see him as anything but. Using that notion to full effect in JLD #0, Jeff Lemire paints a pretty stunning portrait of the DCU’s Constantine and just what the hell the nature of his relationship with Zatanna is. Though it’s a quick 20 pages, Lemire effectively transforms Constantine from a magic novice to the cocksure pirate that we know and love, all the while planting the foundations for the Justice League Dark story at large." -Joey

Click to read the entire review!

Final Score:

8.6

Red Lanterns #0

Written by Peter Milligan | Art by Ardian Syaf

"Red Lanterns #0 does not dare to do anything creative with its origin issue, and that proves to be its undoing. If you were wondering what foul deeds Atrocitus had to commit to gain his powers of blood prophecy -- and I’m talking foul -- then brace yourself for what Peter Milligan has in store. This issue reminded me of Neil Gaiman’s Sandman with its monsters and magic, but it has none of that story’s grace or ingenuity." -Joshua

Click to read the entire review!

Final Score:

5.9

The Savage Hawkman #0

Written by Rob Liefeld & Mark Poulton | Art by Joe Bennett

"The Savage Hawkman has generally distanced itself from the Thanagarian portion of Hawkman's mythology, focusing instead on simpler, more horror and action-based storylines. Considering that Hawkman has one of the more convoluted character histories in comics, that may have been for the best. The Savage Hawkman #0 is notable both in that it marks Rob Liefeld's final issue on the series and that it finally delves into Hawkman's connection to Thanagar. Though rough around the edges in some ways, this issue makes for a surprisingly enjoyable read." -Jesse

Click to read the entire review!

Final Score:

6.5

Superman #0

Written by Scott Lobdell | Art by Kenneth Rocafort

"Just as there was a return to Crime Alley over in Batman: The Dark Knight #0 this week, Superman #0 returns us to the well-documented last days of Krypton. Luckily, writer Scott Lobdell is able to find some new ground to cover and adds a wealth of new elements (and some odd twists) to the tale. The best thing I can say about this issue is that Lobdell finds a nice emotional hook for Jor-El’s discovery of Krypton’s eventual destruction: he makes the discovery the same day Lara tells him she’s pregnant. It’s a poignant moment that, unfortunately, is derailed by far less interesting notions of conspiracy theories and politics." -Joey

Click to read the entire review!

Final Score:

5.9

Talon #0

Written by James Tynion IV | Art by Guillem March

"The idea of Talon as a series is certainly sound; following a man that was able to break free of the Court of Owls’ clutches and try to redeem himself is a concept with plenty to offer. We could see him try and right the many wrongs he’d done as a Talon while trying to avoid assassination by the Court he betrayed. However, with Calvin Rose being a brand new character introduced in issue #0 – after we’ve seen the kinds of motivations that lead one to becoming a Talon – he’s got a long way to go to proving his worth as not only a hero of Gotham, but as the anchor of one of DC’s New 52." -Joey

Click to read the entire review!

Final Score:

7.0

Teen Titans #0

Written by Scott Lobdell | Art by Tyler Kirkham

"One of the best ways to draw out different aspects of Batman’s personality is to pair him with a new Robin. Tim Drake, a character with a personality distinct from both Robins who preceded him, entered Batman’s life at a very interesting time. Whether this retelling of Tim Drake’s path to the Bat-family is interesting as well is another question entirely." -Poet

Click to read the entire review!

Final Score:

5.2

Voodoo #0

Written by Josh Williamson | Art by Sami Basri

"Like Resurrection Man #0, Voodoo #0 is one of those Zero Month issues that simultaneously serves as a flashback tale and a series finale. One thing Voodoo has going for it that Resurrection Man didn't is that the ongoing plot threads will be continued in the pages of Grifter, meaning Josh Williamson isn't forced to tie up all the loose ends in the span of 20 pages. The result is a very straightforward but competently executed finale that offers readers no real surprises." -Jesse

Click to read the entire review!

Final Score:

6.5


Source : ign[dot]com

Monday, September 24, 2012

Vegas: "Pilot" Review

Advance Review: Older dude solving crime? Check. A well-known, likeable veteran actor cast in the lead? Sure. A "case of a week" blueprint set up for viewers not looking for heavy serialization? Yup. But hold on there. CBS' new retro-series, Vegas, does have a bit more going for it than your average mega-popular crime-labbapalooza. Set in early '60s Las Vegas, this series not only boasts movie star Dennis Quaid as the lead justice dispenser, but a dusty, modern-era Western tone that's brought about by the clash of two worlds; that of cattle rancher Ralph Lamb (Quaid) and casino owner Vincent Savino (Michael Chiklis).

Make no mistake though. Even though the title at the outset of this pilot reads "This is the true story of Sheriff Ralph Lamb and the rise of the Vegas Strip," Vegas is still going to be, underneath the historical histrionics, a procedural. Lamb will solve a crime each week; a murder that will most likely have to do with shady strip dealings causing him to passive-aggressively butt heads with transplanted Chicago mobster Savino. But while Vegas may not be totally off-brand for CBS, it gets some extra points for tweaking the formula.

As Savino's plane lands outside Vegas, pointedly throwing Lamb's herd of a cattle into a frenzy, it's clear that Lamb's peaceful post-war life, and the lives of those living in the Vegas vicinity, will never be the same. Savino's in town to help whip a casino called The Savoy into shape, but with Chiklis' Savino comes a sort of calm logic that you wouldn't expect. He's more Ace Rothstein than he is Nicky Santoro, if we're going by the yin and yang of Scorsese's Casino. He doesn't have it out for innocent citizens, but instead the inept and corrupt goons and thugs that have caused him to have to move to Las Vegas to fix a hotel that's bleeding money. Yes, it's interesting to pit Quaid's rootin' tootin' rustler against a "gentleman gangster," but the mostly-polite Savino also comes off a bit toothless.

So I would expect that, down the line, things will get much more vicious between the two. Because the conflict that we might be anticipating from these two actors is not really present in this series opener. Instead, we're given the tale of how a reluctant Lamb, who was a former crack MP investigator, becomes acting Vegas Sheriff. "Ask a few questions. Listen to what people say. What they don't say is just as important." That's Lamb's low-key take on solving murders that he shares with his brother Jack (a fresh off Terra Nova Jason O'Mara), who Lamb brings along for the ride when the Mayor asks Lamb to solve the murder of the Governor's niece, Samantha. Fortunately for Lamb, the real Sheriff is nowhere to be found (aka "hiding from the mob") and the Mayor knows Lamb from the war and can testify to his stubborn determination when it comes to tracking down perps.

Carrie-Anne Moss (The Matrix, Memento) is also on hand as an Assistant DA whose family ranch was next to the Lamb's ranch when she was growing up. So she represents both an "in" with the slick political crowd and a down home girl who will probably wind up being a love interest for a seemingly non-interested Lamb. I say non-interested because Lamb, a widower, for all his gruffness, really just wants to tend to his herd. He only agrees to find Samantha's killer so that he can get back to his ranch. And because he's not actually the Sheriff, he doesn't feel compelled to follow any of the pesky rules that come along with the title. By the end though, Lamb sees that he can actually step up and face the corruption that surrounds him when he's got a star pinned to his vest. And he likes feeling in control again.

Vegas isn't perfect, and it may very well fall too deeply into the less-interesting "case of the week" zone after a few episodes, but it does represent a couple of interesting left turns for CBS. And for those of you who might be a bit exhausted by the veneer of the '60s on TV, Quaid's side of the fence shows us that not everything was highballs and fedoras.

Vegas premieres on Tuesday, September 25th at 10/9c on CBS.

Matt Fowler is a writer for IGN. Follow him on Twitter at @TheMattFowler and IGN. WARNING: No Nudity!


Source : ign[dot]com

Thursday, August 30, 2012

The Iceman Killeth in New Trailer

The upcoming true crime flick The Iceman chronicles the life and crimes of Richard Kuklinski (Michael Shannon), who seems like a family man but is in fact a ruthless assassin for the mob. The stellar supporting cast includes Chris Evans, James Franco, Ray Liotta, Winona Ryder and David Schwimmer. Check out the new trailer:


Source : ign[dot]com

Saturday, August 18, 2012

Copper: "Surviving Death" Review

Advance Review: From TV crime veteran Tom Fontana (Oz, Homicide: Life on the Street) comes BBC America's first ever original scripted series, Copper - a gritty, gloppy "Uptown/Downtown" look at law and order in 1864 New York City. And you don't have to look much further than the cinematic world of Five Points, Manhattan in Scorsese's The Gangs of New York to know that justice rarely reared its head in this time and area that we now consider to be a fascinating hotbed of socioeconomic strife.

Copper has the appealing grime and soot for a show dedicated to showing the corruption that permeates through an entire city system, but I never quite felt invested in any of the characters; especially (and most importantly) the hero of the tale, Irish immigrant Officer Kevin Corcoran (Tom Weston-Jones). Within this first episode, entitled "Surviving Death," we're loaded up with so much back-story that there's almost no way one leading man can live up to all the potential.

Old Timey Pew Pew Pew!

Corcoran is a beloved Civil War hero and a former prized pugilist looking for his missing wife and a mysterious ship all while mourning the death of his six year old-daughter, Maggie. Sure, he's corrupt, but only enough to make him fit in with his historical surroundings, and nowhere near as corrupt as his higher-ups. As a man with - conveniently - no prejudices, Corcoran is able to utilize the entire city in order to solve a crime - from a black forensic expert named Matthew who's opinion no one will accept, to a posh city-aristocrat who Corcoran saved in the war. Copper never stops being interesting, but the predictable way that Corcoran is allowed to be, for example, the only one who cares about the death of a young prostitute sinks the show into the mire a little bit.

Business does pick up however when Corcoran starts running into bureaucratic walls after his investigation begins pointing to places and people whose reputations simply won't allow for sordid accusations. And so while a case might get solved in the pilot episode, it doesn't necessarily mean that things will play out the way we might expect them to on a contemporary cop show. And I'm not sure whether the loose ends from this premiere will get wrapped up as soon as the second episode, or if they'll play out in a Terriers/Luther-style through the rest of the season.

I will admit to enjoying watching how Matthew (Ato Essandoh) uses the science and lab techniques available at the time to run his CSI: Five Points experiments, even though anybody who's watched enough procedural autopsy TV could look at the dead girl's body and tell you the exact murder weapon.

As Copper moves forward, with several mysteries yet to play out, we'll watch issues of immigration, segregation and voter rights texturize the background, giving the series extra weight and significance. And like Scorsese showed us previously, any hero of this era is mostly likely marked by past tragedy as a way of helping us believe that he would want to see true justice served. A yearn for vengeance works well in that respect too. Unfortunately, any hero surrounded by so much interesting history can be easily overshadowed and made bland. Run Lola Run's Franka Potente is also on board as Eva, a hooker with a heart of silver - aka Corcoran's lust interest. As female characters go on this series, it'll probably be hard to find one that isn't a prostitute or a princess as such was the times.

Copper has some good seeds planted down in its muddy Mulberry Street and I'm hoping that the reason that some of it came off as bland to me is due to the fact that I've seen a lot of these characters before; in Westerns and other films and shows taking place post-Civil War. Still, a decent start.

Copper premieres Sunday, August 19th at 10/9c on BBC America.

Matt Fowler is a writer for IGN. Follow him on Twitter at @TheMattFowler and IGN. WARNING: No Nudity!


Source : ign[dot]com

Tuesday, July 31, 2012

Free Max Payne 3 Multiplayer Add-On Arriving in August

Max Payne 3's next multiplayer expansion, Disorganized Crime, will be free. Rockstar Games says it will have players fighting "above the streets surrounding Max’s old apartment in the new Hoboken Rooftops multiplayer map." In addition, Disorganized Crime adds more aggressive AI, explosive rounds, and headshot-only kills for Score Attack.

Following up in September is the Hostage Negotiation map pack, which will cost $10 on Xbox Live, PlayStation Network on PC. Rockstar has yet to provide details about the new multiplayer levels included here.

The following month adds two more $10 downloadable add-ons for Max Payne 3 multiplayer. Both the Painful Memories Map Pack and Deathmatch Made in Heaven Mode Pack (which includes the content from the previously revealed New York Minute co-op pack) will arrive at an unspecified date in October.

The Local Justice add-on, which includes three new maps and some new weapons, recently released on consoles, and will hit PC on August 9 at a discounted price of $5.99 for the first week.

Mitch Dyer is an Associate Editor for IGN's Xbox 360 team. He’s also quite Canadian. Read his ramblings on Twitter and follow him on IGN.


Source : ign[dot]com