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Showing posts with label releases. Show all posts
Showing posts with label releases. Show all posts

Wednesday, November 7, 2012

Gears of War Series Surpasses 19 Million Sales

Epic Games has revealed the lifetime sales for the Gears of War series -- the 19 million copies sold span three releases since November 2006. In its first week alone, Gears of War 3 sold 3 million, while Gears of War 2 garnered 2 million sales in its first weekend. Not bad.

This is the second Xbox-exclusive series to share its significant success in the past weeks. Microsoft recently detailed the record sales for its Halo franchise, which cracked the 46 million mark leading up to Halo 4's release.

Coincidentally, today marks the sixth anniversary for Gears of War.The first Gears of War prequel entry, called Gears of War: Judgment, will release for Xbox 360 on March 19, 2013.

Mitch Dyer is an Associate Editor at IGN. He loves Gears a lot. Read his ramblings on Twitter and follow him on IGN.


Source : ign[dot]com

Friday, October 26, 2012

Report: Silicon Knights Was Working on Eternal Darkness 2

Though certainly known for its recent releases like Too Human and X-Men Destiny, the most celebrated game in the arsenal of Silicon Knights is easily Eternal Darkness. Receiving universal praise from critics at the time, including a 9.5 from IGN, Darkness has gone on to be remembered as one of the best GameCube games ever. For a decade, fans have been asking for a sequel, with nothing but vague hints to appease them. Yet according to a recent report, Silicon Knights was in fact working on concepts for Eternal Darkness 2.

In a conversation with former employees, Kotaku unearthed that Silicon Knights had been splitting its time between X-Men Destiny and preliminary work for Eternal Darkness 2. "They were working on an Eternal Darkness 2 demo that they could take to publishers. While I was there, they were even siphoning off staff from my [XMD] team to work on it," one source was quoted as saying. While the prospect of a sequel might be exciting, it would be best not to get your hopes up. Kotaku's sources go into further detail, saying during their tenure at the company, not much progress was made. One even described the demo as being generally very poor, citing "bad tech, combined with a team composed of people who had not shipped a title since Metal Gear... I can't explain why things went so poorly for them [except that] a lot of key people responsible for the original Eternal Darkness are long gone."

Though the fate of Eternal Darkness 2 demo is unclear, we now know Knights was in fact working on concepts for the game - the real question is whether anything comes of it.

Rich is an Executive Editor of IGN.com and the leader of IGN's Nintendo team. He also watches over all things WWE, Resident Evil, Assassin's Creed and much more. Follow him on Twitter, if you dare!


Source : ign[dot]com

Wednesday, October 17, 2012

Comic Book Reviews for 10/17/12

Just as they did around the same time last year, Marvel unleashed a big, fat, high-priced Point One issue that teases many of its most anticipated releases for the coming year. More importantly though, they released the next issues of some of our favorite titles -- Daredevil, Hawkeye, Captain Marvel, and Ultimate Comics Spider-Man.

Over at DC, Batwoman continues its rise to glory, Justice League introduces Cheetah to the New 52, Before Watchmen trucks on, and Wonder Woman starts to build its next storyline.

DC COMICS

Batwoman #13

Written by J.H. Williams III & Haden Blackman | Art by J.H. Williams III

"Oh my dear lord, I love this title right now. Listen, I know there are a lot of stellar books in today’s pantheon of top comics. Marvel, Image, Archaia -- they’re all putting out books worth following monthly and in trade. Batwoman tops them all. When was the last time you saw this much ambiance in a comic book? Maybe never. You can’t help but wince as Bette relives the sensations of being eviscerated. The foul smells of murder and squalor try to wriggle their way into your nose. The oppressive weight of being buried alive shortens your tidal breathing." -Poet

Click to read the entire review!

Final Score:

9.8

Before Watchmen: Minutemen #4

Written by Darwyn Cooke | Art by Darwyn Cooke

"Minutemen was always the Before Watchmen book with the most potential for interesting character development. Luckily, Darwyn Cooke has been able to realize that potential. Though issue #4 is fairly scatterbrained in its focus, Cooke manages to deliver some memorable moments featuring just about every player in this troubled group." -Jesse

Click to read the entire review!

Final Score:

8.8

Birds of Prey #13

Written by Duane Swierczynski | Art by Romano Molenaar

"With his Birds of Prey run, Duane Swierczynski has developed this annoying habit of dropping plot threads without fully resolving them and diving right into new stories. That trait continues as his latest arc kicks off in issue #13. The conflict with Poison Ivy has been all but abandoned from where it ended in issue #12. Instead, we're informed that Batman randomly showed up to assist the BoP gals with their poisoning and they're now all on the mend and craving munchies. It's as if there was a Birds of Prey #12.5 that got lost at the printer and Swierczynski is relying on exposition to make up for its absence." -Jesse

Click to read the entire review!

Final Score:

5.2

Catwoman #13

Written by Ann Nocenti | Art by Rafa Sandoval

"Ann Nocenti began her run on Catwoman with last month's #0 issue. Among that issue's many problems were a pointlessly fractured narrative and an inexplicable attempt to marry nearly every version of Selina Kyle's origins into one bloated whole. Issue #13 at least isn't saddled with all that origin nonsense, but Nocenti once again burdens the book with a jumbled and generally unsatisfying script." -Jesse

Click to read the entire review!

Final Score:

6.0

DC Universe Presents #13

Written by Marc Andreyko | Art by Robson Rocha

"It’s within the pages of DCU Presents #13 that we get our first look at the New 52 incarnations of Black Lightning and Blue Devil. An odd pairing to be sure, but writer Marc Andreyko takes the simple (or perhaps convenient) approach of giving overlapping investigations to the pair, though their motivations for working those cases in the first place are unclear. Ultimately though, this first chapter amounts to little more than plot setup without much character stuff, though Andreyko certainly plants the seeds at defining the 'origins' of sorts for these two heroes." -Joey

Click to read the entire review!

Final Score:

6.0

Green Lantern: The New Guardians #13

Written by Tony Bedard | Art by Andrei Bressan & Amilcar Pinna

"Tony Bedard has done this series a favor by utilizing a smaller cast to better focus on Kyle Rayner. The artsy Green Lantern has the ability to use any color of the emotional spectrum and must master each one in order to call on those different powers. That concept has the potential to show all the different facets of Kyle’s character, but Bedard delivers a story that -- while certainly visually stimulating -- could have been a lot more creative." -Joshua

Click to read the entire review!

Final Score:

6.3

Justice League #13

Written by Geoff Johns & Jeff Lemire | Art by Tony Daniel & Brad Walker

"This issue of Justice League focuses heavily on Wonder Woman and Steve Trevor, and I don’t have a problem with that. Superman, Flash, and Cyborg have a few nice moments, while Batman and Aquaman are purely background characters. Again, I don’t mind this because for the first time since this series began, I feel I have a stake in the main characters and I am genuinely intrigued by the conflict. Who would have thought Cheetah would be a more interesting villain than Darkseid?" -Joshua

Click to read the entire review!

Final Score:

8.4

Nightwing #13

Written by Tom DeFalco | Art by Andres Guinald

"Though Nightwing #13 doesn't have one of those creepy, die-cut Joker covers, it has about as much to do with Death of the Family as any other ancillary Batman title released this month. That is to say -- expect plenty of pointless references to Joker's return that have no real bearing on the story at hand. Most glaring is a short sequence where Batgirl pops up out of nowhere to complain about not being prepared for a battle with Joker before disappearing just as quickly. I'm starting to think that the best course of action may be to avoid these books entirely for the next few months if this is what we can expect from Death of the Family tie-ins." -Jesse

Click to read the entire review!

Final Score:

5.8

Red Hood and the Outlaws #13

Written by Scott Lobdell | Art by Timothy Green

"Who knows if I would have kept up with this series so far if it weren't for Kenneth Rocafort? The writing quality has tended to vary between mediocre and above average, so it's really Rocafort's contribution that has lent a sense of stability and vitality to the book. Sadly, with Rocafort joining Scott Lobdell on Superman now, the Outlaws have to make do with a different penciler. Timothy Green's work is decent enough in issue #13, but it suffers from the attempt to replicate the look and feel of Rocafort's style. Green did excellent work in the Rocket Raccoon/Groot features in Marvel's Annihilators mini-series, and it's disappointing that we don't see a similar approach here considering the alien setting." -Jesse

Click to read the entire review!

Final Score:

6.9

Supergirl #13

Written by Mike Johnson | Art by Sami Basri

"Supergirl #13 picks up where we left off before the zero issue, with Kara confronted by Simon Tycho in her new Fortress of Solitude-esque home on the ocean floor, fittingly dubbed Sanctuary. Writer Mike Johnson delivers another satisfying chapter of the best Super-family book, though my interest didn’t really pique until after Tycho was taken out of the picture. Like many villains that have shown face in this series thus far, he came off as two-dimensional and rather typical, with a pretty absurd visual design to boot. However, that might be for the best, as his relatively throw-away presence in this series results in Kara’s strongest character moment in quite a while when she unceremoniously leaves him trapped inside of Sanctuary without remorse." -Joey

Click to read the entire review!

Final Score:

7.2

Sword of Sorcery #1

Written by Christy Marx & Tony Bedard | Art by Aaron Lopresti & Jesus Saiz

"DC has no real business labeling this issue as Sword of Sorcery #1, as it picks up directly where last month's #0 issue left off and would serve as a poor entry point by itself. Ahh, the delightful magic of comic book numbering. On the other hand, kudos to DC for trying to cover all the major genres with the New 52 rather than simply churning out endless superhero books. Sword of Sorcery goes a step or two further than Demon Knights in terms of exploring the fantasy-oriented side of the DCU. Christy Marx has all the ingredients for a worthy fantasy epic here -- the ordinary girl who discovers her grand destiny, a strange realm full of magical powers and warring clans, and a twisted family dynamic driving the conflict. Unfortunately, the end result feels surprisingly by-the-numbers. " -Jesse

Click to read the entire review!

Final Score:

6.2

Wonder Woman #13

Written by Brian Azzarello | Art by Tony Akins

"Brian Azzarello continues to build his Wonder Woman mythology here. As it has been from the beginning, this is a story about the children of Zeus. Diana is out to find others and, we assume, once again build a team that is capable of battling her half-brothers and sisters as well as finding Zola's missing baby. The majority of the issue just features people sitting around talking and plotting. The dialogue is sharp as ever, the story deep and involving. The issue moves a bit slow, but a dude also gets the top of his head bitten off. So there's that." -Ben

Click to read the entire review!

Final Score:

8.2


Source : ign[dot]com

Monday, October 15, 2012

Taken 2 Remains Box Office Champ

Liam Neeson kicked more ass this weekend as Taken 2 repeated as the No. 1 movie at the domestic box office.

As for the new releases, Argo and Sinister enjoyed strong Top 5 debuts, while Here Comes the Boom and Seven Psychopaths underperformed.

Here are the weekend estimates via Rentrak:

  1. Taken 2 $22.5 million
  2. Argo $20.1 million
  3. Sinister $18.3 million
  4. Hotel Transylvania $17.3 million
  5. Here Comes the Boom $12 million
  6. Pitch Perfect $9.3 million
  7. Frankenweenie $7 million
  8. Looper $6.3 million
  9. Seven Psychopaths $4.3 million
  10. The Perks of Being a Wallflower $2.2 million

Source : ign[dot]com

Saturday, September 22, 2012

Friday, September 14, 2012

Indiana Jones: The Complete Adventures Blu-ray Review

It's here! One of the single most anticipated releases of the year has finally made it! But before we dig into Indiana Jones: The Complete Adventures four-disc Blu-ray set, let's take a trip back through the series and discuss each film.

Among film geeks there's always been one big debate that's garnered much discussion: Which Indiana Jones film is really the best?

While no one would probably list Kingdom of the Crystal Skull as the absolute best of the saga, there's been some good arguments for the other three films in the series. But the first two sequels of the original Indy Trilogy have their strengths and their weaknesses, but more on that in a bit.

The Films:

Raiders of the Lost Ark is the perfect adventure film. Much like Jaws is the perfect shark film, and Jurassic Park is the perfect dinosaur picture, Steven Spielberg has a habit of crafting the “definitive” version of pretty much every movie he makes. Raiders is energetic and lively – layered with fun homage and nostalgia, and painted with colorful characters, a great story and some of the best action sequences in all of cinema history.

The film is perfection. It's gritty, violent, scary, funny and completely charming. And despite the three decades that have passed since the film was released, Raiders of the Lost Ark is still an engaging, exciting action picture with at least three more decades of replay value left in it. The film's narrative structure is awesome, and much like Star Wars, there's a sense of realism and true character to Indy's world – with nearly limitless potential for more stories to be told within the film's vast universe.

And to think, Raiders almost never happened. Or rather, Raiders might have been a Bond film had Steven Spielberg gone that route instead, and landed a job creating a new 007 picture. But instead, we got Harrison Ford as the whip-cracking archeologist, Indiana Jones, and the world was all the better for it.

Score: 10 out of 10

Indiana Jones and the Temple of Doom is an odd beast that's often referred as the “dark” Indy picture, and with good reason – it's gory and sometimes a bit mean-spirited. But to balance the darker side of the picture, Temple of Doom is also a bit goofier than Raiders, with slapstick comedy, a child sidekick and brazenly illogical action set pieces, like the plane crash in the first act, and the downright silly raft scene that ensues.

Temple is also a bit culturally insensitive, opting to gross out audiences with the deliciously nasty Indian cuisine. Monkey brains, anyone? It's an undeniably memorable scene – one of the best of the series – but slightly offensive it most certainly is. The film is also seasoned with a bit too many creepy crawler scenes, and it stacks them right on top of each other instead of spreading them out a bit better. Indy's sidekick, Short Round, can also get on the nerves at times. And Indy's love interest, Willie, is a bit too weak and whiny.

It's no secret that Steven Spielberg and George Lucas were going through a tough time in their private lives during this era, and it's reflected in Temple of Doom. But even with it's flaws, there's a lot to love about the film. Cinematography is simply breathtaking, for one. And the darker, more selfish version of a slightly younger Indy is fascinating. It's interesting seeing this man before his encounters in Raiders, and it helps give context to who he is as an individual. So, despite the film's many weaknesses, Temple is a fun, equally action-packed adventure. It's darker, and not as enjoyable to re-watch, but the film definitely has its moments.

Score: 7 out of 10

Indiana Jones and the Last Crusade is a return to form, and is often considered a near perfect sequel, matching the action and excitement of the first adventure, while adding more character development to Indy. We get to meet Indy's father, played with gusto by Sean Connery. We get to see many of the characters from Raiders. And we get another Nazi-centric set of villains.

But, despite the many strengths of Last Crusade, there's also a safeness to the picture. It doesn't take many chances, unlike Temple, and plays a lot like Return of the Jedi, swapping a more complex story for one that somewhat retreads the magic of the original picture. The film's love interest is completely bland. And, like Temple of Doom, the film sometimes relies a bit too heavily on silly humor.

But make no mistake, Last Crusade is a pretty awesome adventure, and the last great Indiana Jones film. Everyone's clearly having a great time, and that's reflected in the movie. The action set pieces are quite awesome, and the creepy crawler moments are far better spaced than before. While Last Crusade might be a tad more polished and neater than Raiders, it lacks that gritty charm of the original. But there's plenty of room to debate which film is better, and it all boils down to what appeals to you more.

Score: 9 out of 10

Ahh, Indiana Jones and the Kingdom of the Crystal Skull, you menace, you. It's true, the fourth and possibly final chapter in the Indiana Jones saga ends on a bit of whimper. The story, in many ways, represents a breakdown of communication between Lucas and Spielberg, with Spielberg largely disagreeing with his friend over creative choices. Ultimately, he simply bowed to Lucas' demands and we have the least fascinating, most frustrating chapter in the Indy saga.

Kingdom of the Crystal Skull is so hated by the fans that many consider it a cancer to this Blu-ray box set, and the sole reason why some will wait until individual releases are put out (which may never happen). But is the film really that bad? Well, yes and no. Kingdom of the Crystal Skull is a disappointment, riddled with bad choices in nearly every corner, but there is a hint of a good movie underneath the flying monkey and aliens, err, inter-dimensional beings.

The simple notion of Indy feeling empty, like his life is coming to close only to discover it's really just beginning, is heartwarming, and the stuff of Spielberg greatness. And a few of the action set pieces are pretty damn fun. The opening act is pretty good, especially the car chase. And the fight with the ants is also intense, harkening back to classic Raiders action. But then there's the CG crap, the bad sidekicks, Shia LaBeouf, the awkward plotting, the not-so-villainous villains and, well, pretty much everything else. If you can put on your blinders (or hide yourself in a fridge) and just focus on the story of Indy finding his greatest treasure – a family – the movie isn't so bad. But you'll really need to forgive the film of a mountain's worth of shortcomings.

Score: 6 out of 10

The Blu-ray:

The Indiana Jones: Complete Adventures Blu-ray arrives courtesy of Paramount and Lucasfilm. Let's just start out by saying that, to my knowledge, all four films have remained untouched by the fingers of CG-crazy visionary known as George Lucas. Even the added CG mountain shots from the 2008 DVD version of Raiders have been restored to the old matte painting version. Keeping Spielberg's original vision and intentions seemed to be key here, and fans should have no worries about any inorganic sound effects, added “Noooos!” or CG blinking. The only tweak noticed was the deleted reflection on the glass from Indy's encounter with the rattle snake, and pretty much everyone agrees that this was a good fix. Alas, all the terrible CG from Kingdom of the Crystal Skull is still intact, monkeys and all.

The discs themselves are housed in a digibook case, with a hard cardboard slipcover, similar to the Star Wars Blu-ray set, with one exception – the discs are slid between the pages.

While this looks nice, it can lead to unwanted scuffs and scratches on the discs themselves, even with the scratch guard that's standard on all Blu-ray discs. The set does look nice, at least, but when it comes to big sets like this, practicality should be considered over design. People want this stuff to last. They don't want the discs to get scratched. With that in mind, it would have been better to see standard BD cases instead. They're durable and they don't mess with the discs at all.

The case is also missing any information about the discs. What are the special features on disc four? You'll have to plop the disc in your BD player to see. What are the specs for the set? Well, if you've already thrown out the little slip that advertizes the set, you won't know until you play the films. We get a two-page spread dedicated to the cast and crew credits, but why not the disc specs? The old Indy DVDs included a booklet! So did the Star Wars Blu-ray set. It's a minor pet peeve, but seriously – would it have been that hard to include some specs and bonus feature info on the inside box? Come on.

Each of the classic Indiana Jones films have been meticulously restored and remastered, presented in 1080p/AVC and mixed in 5.1 DTS-HD Master Audio. The first three discs in the set include no bonus features, other than trailers and teasers for each respective film. Other than a slight audio update, Crystal Skull appears to be the same Blu-ray from the last release, so we'll be skipping over that one for the bulk of this review. Besides, there's probably not many buying this set hoping to see that film. If you want to know more about that Blu-ray, you can read our previous review here.

The discs are fresh on the market and already there's been quite a bit of debate over the transfers, namely issues with aliasing, contrast, softness and color correction. Much of the debate started when Raiders screened in IMAX early in September, and the debate will inevitably continue now that the set is available (on Sept. 18, 2012).

So, are the problems enough to completely ruin this set's potential? No. In fact, all three classic Indy pictures boast terrific transfers. A natural haze of grain is retained throughout all three pictures, and the restoration yields a flawless image, with no dust or dirt specks in sight. Similar to Star Wars, the films practically look brand new, and will likely be the finest transfers out there for any of the three films for some time. The first film favors the worst of the bunch, though, but that's to be expected. Of the classic productions, Raiders was always the grimiest, grittiest and most guerrilla of the three. The opening sequence in particular is really musty and dirty, but it's always looked that way. There's simply nothing a restoration can do to fix that.

With that in mind, some of the hiccups fans have noted are, in fact, present. Contrast does seem to run a little high throughout all three films, and colors are just a touch more faded than expected. All three films underwent a pretty intensive restoration process, and color correcting and timing was likely used to create the best versions of each film. As such, colors can sometimes vary from the DVD masters to this HD version. To be frank, most fans won't even notice the color and brightness hike, but some videophiles might. Whether it will bother you might hinge on your personal preferences.

The prints also exhibit a hint of aliasing at times, but unless you scour through every single frame of the Blu-ray, you'll be hard pressed to notice this issue when watching the films at regular speed. The odder issue is the lack of sharpness. Each film runs a tad softer than expected. This could be the result of degraded film prints, DNR or general remastering procedures. While all three films are clean, with fine textures, details and plenty of striking depth – more so than any other home video release – there is just a hint of softness that surprised on occasion.

It's worth reiterating – most fans will not notice the slight flaws in these transfers. And even for those who do, it's hard to deny that Indiana Jones looks better than ever.

The same can be said for the less controversial 5.1 DTS-HD Master Audio tracks found on each film. The tracks have been organically upgraded and remastered to modern specs without adding any additional audio elements or effects. Unfortunately, though, the mixes are only presented in 5.1. For a time, Paramount was embracing 7.1 mixes, but they seem to go back and forth on fully embracing the 7.1 sound field. It's possible, since this release is focused on the director's original intentions, that a 7.1 update was nixed in favor of something more organic, but it's hard to tell.

Regardless, each mix is praise-worthy, with atmospheric effects, lively action and John Williams' classic themes roaring through nearly every scene. Dialogue is clean and pristine, with no noticeable hiss, crackles or other intrusive distortions. Surrounds are put to good use as well. Fans will find it hard to pick a favorite mix as all three are quite terrific. Crystal Skull also sounds amazing, though there wasn't much of a detectable boost between the TrueHD mix of the first Blu-ray and this DTS-HD mix.

Disc Four of this four-disc set is where fans will find all the bonus materials, roughly seven hours total. Oddly, there's very little that's new here, though this Blu-ray does port over most, but not all, of the bonus features from previous DVD releases. Goodies are broken up into three sections: “On the Set of Raiders of the Lost Ark,” “Making the Films” and “Behind the Scenes.”

“On the Set” is, sadly, the only “new” addition to the Indy bonus features collection. The documentary is broken into two parts – From Jungle to Desert (30 minutes, HD) and From Adventure to Legend (30 minutes, HD). Both give host to a wealth of outtakes, deleted scenes, on-set fly-on-the-wall home movies, gags and production discussions. There are no canned interviews or retrospective insights – this is just raw behind-the-scenes awesomeness. Be sure to stick around through the whole documentary for about five minutes worth of deleted scenes, outtakes, gags and behind-the-scenes footage from Temple, Last Crusade and Crystal Skull.

“Making the Films” features the original two-hour making-of documentary, broken up by film, found on the 2003 DVD release of the classic Indy trilogy, and presented here in standard definition. There's also a really awesome hour-long archival documentary from 1981. Don't skip it because it's old. There's a TON of slick production insight and behind-the-scenes stuff to munch on. This section also includes a truncated half-hour making-of documentary for Crystal Skull, presented in HD.

Unfortunately, close to two hours of documentaries and interactive goodies from the Crystal Skull two-disc Blu-ray set are either chopped down here or axed completely, so hardcore fans will want to hold on to that release for the complete collection of bonus features. It almost seems like adding Crystal Skull to this set was an afterthought, and it shows in what's missing. Fans probably wouldn't have minded if it were nixed completely from the set in favor of more classic extras. That in mind, the set appears to be missing a few minor featurettes and storyboard extras from the 2008 DVDs.

“Behind the Scenes” is loaded with about two-and-a-half hours of archival featurettes, most of which were found on the 2003 and 2008 DVD sets. A few featurettes from Crystal Skull have also been ported over. All told, there are 12 featurettes here, and a wealth of fascinating info. The 2003 material is presented in SD whereas the 2008 material is presented in HD.

The Verdict:

If you love Indiana Jones, then picking up this Blu-ray box set is pretty much a no-brainer. The transfers have their minor problems, but it's not nearly enough to warrant skipping this set. Audio is outstanding, and pretty much all the extras have been ported over. It would have been nice to see a few more newly crafted goodies, all the old bonus features, and maybe an isolated deleted scenes section. Regardless, Indiana Jones on Blu-ray is a sight to see, and the meticulous time and effort that went into this set is more than commendable.

"Professor of archeology, expert on the occult, and how does one say it? Obtainer of rare antiquities." Become a friend of R.L. Shaffer on TwitterFacebook or MyIGN for quotes, rants, reviews, news and more!


Source : ign[dot]com

Monday, August 27, 2012

Battlefield 3's Armored Kill Releasing September 4

Armored Kill, the large-scale, vehicle-focused muliplayer add-on for Battlefield 3, releases on PlayStation 3 September 4 for Battlefield Premium members. Xbox 360 and PC Premium members will get the expansion the following week on September 11.

Four new maps, five new vehicles, and a new game mode -- Tank Superiority, a chaotic capture-fest with one control-point -- come included in the Armored Kill add-on. If you're not a member of the paid service, Armored Kill will be available for download on September 18 for PS3 and September 25 on 360 and PC.

Armored Kill's claim to fame is the inclusion of the "biggest map in Battlefield history." This is the third map pack released under the Battlefield Premium banner, with Aftermath coming soon. If you're not currently a member, EA is looking to attract even more Battlefield fans with Battlefield 3: Premium Edition, which also releases in September.

Mitch Dyer is an Associate Editor for IGN's Xbox 360 team. He’s also quite Canadian. Read his ramblings on Twitter and follow him on IGN.


Source : ign[dot]com

Thursday, August 16, 2012

Universal 100th Anniversary Collection Headed to BD, DVD

For the past year, Universal Studios has been celebrating their 100th anniversary, with big releases like The Sting, Jaws, E.T., To Kill a Mockingbird and many, many more.

Culminating this impressive anniversary release schedule is the Universal 100th Anniversary Collection, out on Blu-ray and DVD November 6, 2012. This massive box set that will collect some of Universal's most memorable films, spanning the studio's first 100 years.

From the official press release, "The collection features a selection of 25 unforgettable films that helped shape the legacy of one of the most successful movie studios of all time. Featuring prestigious Academy Award winners such as To Kill a Mockingbird and The Sting, genre-defining classics like Dracula and Spartacus, captivating storytelling such as Field of Dreams and Do the Right Thing, blockbusters like Jurassic Park and E.T. The Extra-Terrestrial and pure entertainment with franchises including The Bourne Identity and The Fast and the Furious, these movies continue to have an enduring impact throughout the world. The Universal 100th Anniversary Collection includes an exclusive “100 Years of Universal” 72-Page collector’s book chronicling the history of Universal over the last 100 years including rare photos and memorabilia from the studio’s archives."

Below is a breakdown of all the titles included in the set. Please note the DVD or Blu-ray exclusive titles.

  • All Quiet on the Western Front (1930)
  • Dracula (1931)
  • Dracula Spanish (1931) (Blu-ray Collection only)
  • Buck Privates (1941)
  • Pillow Talk (1959)
  • Spartacus (1960)
  • To Kill a Mockingbird (1962)
  • The Birds (1963)
  • American Graffiti (1973)
  • The Sting (1973)
  • Jaws (1975)
  • National Lampoon's Animal House (1978)
  • E.T. The Extra-Terrestrial (1982)
  • Scarface (1983)
  • The Breakfast Club (1985)
  • Back to the Future (1985)
  • Out of Africa (1985)
  • Field of Dreams (1989)
  • Do the Right Thing (1989)
  • Jurassic Park (1993)
  • Schindler's List (1993) (DVD Collection only)
  • Apollo 13 (1995)
  • The Fast and the Furious (2001)
  • The Bourne Identity (2002)
  • Mamma Mia! The Movie (2008)
  • Despicable Me (2010)

Each Blu-ray will include a 1080p presentation, remasterd lossless audio and hours of bonus content (anamorphic widescreen transfers on DVD, with Dolby Digital audio).

Both the DVD and Blu-ray set features an exclusive bonus DVD with the following content:

"100 Years of Universal"

  • The Carl Laemmle Era: Explore the early years of Universal and its founder Carle Laemmle.
  • The Lew Wasserman Era: A look at Universal under the visionary leadership of Lew Wasserman.
  • Academy Award Winners: A look back at the most honored films in Universal’s history.
  • The ‘70s: A look at Universal’s iconic movies and filmmakers during this dynamic decade.
  • The ‘80s: Explore Universal’s legacy of groundbreaking movies and filmmakers from this memorable decade.
  • The Backlot: A behind-the-scenes look at the movie magic created on the famous Universal Studios lot.
  • Unforgettable Characters: Revisit Universal’s most memorable heroes, villains, comedians and screen legends.
  • Restoring the Classics: An in-depth look at the intricate process of preserving the studio’s film legacy.

Vintage Cartoons:

  • Spooks (1930) – A parody of Universal’s Phantom of the Opera featuring Oswald the Lucky Rabbit.
  • Merry Old Soul (1933) – Universal’s first Academy Award nominee for Best Short Subject featuring Oswald the Lucky Rabbit.
  • Wax Works (1934) – A spoof of Universal’s classic monsters featuring Oswald the Lucky Rabbit.
  • Jolly Little Elves (1934) – A Cartune Classic nominated for Best Short Subject Academy Award.
  • Hollywood Bowl (1938) – A Cartune Classic featuring caricatures of some of the most popular Hollywood stars at the time.
  • Life Begins for Andy Panda (1939) – Andy Panda in his debut cartoon.
  • Knock Knock (1940) – Woody Woodpecker in his debut cartoon.
  • Boogie Woogie Bugle Boy of Company ‘B’ (1941) – Academy Award nominee for Best Short Subject based off the song from Buck Privates.
  • The Barber of Seville (1944) – Often considered one of the greatest cartoons from this era featuring Woody Woodpecker.
  • Musical Moments from Chopin (1947) – Academy Award nominee for Best Short Subject featuring Woody Woodpecker.
  • Maw and Paw (1953) – Inspired by the popular “Ma and Pa Kettle” film series.
  • Chilly Willy (1953) – Chilly Willy in his debut cartoon.
  • Crazy Mixed Up Pup (1955) – Academy Award nominee for Best Short Subject directed by animation legend Tex Avery.
  • Sh-h-h-h-h-h (1955) – A Cartune Classic directed by animation legend Tex Avery.

Vintage Shorts:

  • Runt Page (1932) – Starring Shirley Temple
  • Slide, Babe, Slide (1932) – Starring Babe Ruth
  • Cartoonland Mysteries (1936) – Go behind the scenes at the Walter Lantz studios as an Oswald the Lucky Rabbit cartoon is created in this vintage “Going Places” short.

The set also includes a 15-Track CD highlighting score selections from the following titles:

  • The Bride of Frankenstein
  • Touch of Evil
  • Psycho
  • Spartacus
  • To Kill a Mockingbird
  • Airport
  • The Sting
  • Jaws
  • E.T. The Extra-Terrestrial
  • Scarface
  • Back to the Future
  • Out of Africa
  • Jurassic Park
  • Apollo 13
  • The Bourne Identity

Suggested retail for this release is set at $349.98 for the Blu-ray set, and $299.98 for the DVD. Amazon has the Blu-ray set currently available for pre-order for $244.99, and $209.99 for the DVD set.

Stay tuned for more news regarding this awesome release!

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Source : ign[dot]com