Pages

Showing posts with label gamers. Show all posts
Showing posts with label gamers. Show all posts

Wednesday, November 14, 2012

Wear a Scribblenauts Hat in Team Fortress 2

Today, Warner Bros. Interactive and Valve announced a collaboration in conjunction with the upcoming launch of Scribblenauts Unlimited. Gamers that pre-order Scribblenauts Unlimited through Steam will receive a free digital Rooster Hat immediately following the purchase of $29.99.

The Rooster Hat, worn by Maxwell himself, comes in both red and pink -- the pink hat is worn by Maxwell's sister Lily.

Scribblenauts Unlimited launches on November 20th for PC, 3DS, and the Wii U. Stay tuned to IGN for a complete review in the coming weeks.

Ryan Clements writes for IGN.


Source : ign[dot]com

Wednesday, November 7, 2012

Uncharted: Fight For Fortune Unintentionally Announced

It looks like PlayStation gamers will be getting more Nathan Drake. Why? Because the Australian Classifications Board seems to have unveiled a new game in the Uncharted series.

Multiple sources have reported on the seemingly unintentional reveal, most notably GameSpot, which was re-Tweeted by Sony executive Shuhei Yoshida, all but verifying that the game is real.

So what does the classification listing tell us? Well, quite a bit, as it turns out.

For starters, the publisher, not surprisingly, is Sony Computer Entertainment, which owns the Uncharted franchise. What’s strange here is that the developer of Fight For Fortune is a studio One Loop Games. The Uncharted trilogy on PlayStation 3, as well as the PlayStation Vita iteration in the series, were developed in-house by Sony-owned developers Naughty Dog and Sony Bend, respectively. It appears this entry will leave the first party development stable.

One Loop Games’ website shows a picture of both an Xbox 360 and PlayStation 3. The company claims its “team has over 30 years of interactive entertainment experience behind it,” with projects having appeared on XBLA, PSN, and elsewhere. Interestingly, the studio worked on God of War: Betrayal and Ratchet & Clank: Going Commando, indicating it already has a relationship with Sony. The studio also had a hand in the development of consoles games like Full Spectrum Warrior and The Saboteur.

The rating also indicates that Fight For Fortune may not be your typical Uncharted game. Australian games are rated in six categories: Themes, Violence, Language, Drug Use, Nudity and Sex. Each of those categories can be ranked from “none” to “high impact”, with four other classifications in between. Fight For Fortune scores a “none” in Themes, Language, Nudity and Sex, with “very mild impact”, the next step up from “none”, in Violence and Drug Use. (Its overall rating -- G -- indicates a "General" game with "content... very mild in impact.")

Now, Drake and his friends have never been known for running around naked or using drugs -- so there are no surprises on that front -- but the four Uncharted games have, so far, relied a great deal on death-by-gun. So perhaps Fight For Fortune is something that deviates from the Uncharted formula. We'll have to wait and see.

Interestingly, the game is also listed as being multi-platform. Since Sony owns Uncharted and is publishing the game, this could very well indicate that Fight For Fortune is a cross-play game PS3/Vita game. Or perhaps it’s a PS3/next-gen game. Again, we'll have to wait and see.

We’ve reached out to Sony for official comment, and will update when we hear back.

Colin Moriarty is an IGN PlayStation editor. You can follow him on Twitter and IGN and learn just how sad the life of a New York Islanders and New York Jets fan can be.


Source : ign[dot]com

Uncharted: Fight For Fortune Unintentionally Announced

It looks like PlayStation gamers will be getting more Nathan Drake. Why? Because the Australian Classifications Board seems to have unveiled a new game in the Uncharted series.

Multiple sources have reported on the seemingly unintentional reveal, most notably GameSpot, which was re-Tweeted by Sony executive Shuhei Yoshida, all but verifying that the game is real.

So what does the classification listing tell us? Well, quite a bit, as it turns out.

For starters, the publisher, not surprisingly, is Sony Computer Entertainment, which owns the Uncharted franchise. What’s strange is that the developer of Fight For Fortune is a studio called One Loop Games. The Uncharted trilogy on PlayStation 3, as well as the PlayStation Vita iteration in the series, were developed in-house by Sony-owned developers Naughty Dog and Sony Bend, respectively. It appears this entry will leave the first party development stable.

One Loop Games’ website shows a picture of both an Xbox 360 and PlayStation 3. The company claims its “team has over 30 years of interactive entertainment experience behind it,” with projects having appeared on XBLA, PSN, and elsewhere. Interestingly, the studio worked on God of War: Betrayal and Ratchet & Clank: Going Commando, indicating it already has a relationship with Sony. The studio also had a hand in the development of consoles games like Full Spectrum Warrior and The Saboteur.

Developing…

Colin Moriarty is an IGN PlayStation editor. You can follow him on Twitter and IGN and learn just how sad the life of a New York Islanders and New York Jets fan can be.


Source : ign[dot]com

Monday, November 5, 2012

Peter Molyneux's Curiosity Now Available

After many months of speculation, famed game designer Peter Molyneux's Curiosity is now available on the iOS app store.

Gamers have known for some time the basic premise of the app. Curiosity presents gamers with a gigantic cube made of of many millions (or perhaps billions) of smaller cubes. Participants worldwide can chink away at the cube block my block, cooperating to reveal what's underneath each layer.

But... what the heck does this actually mean? And how does it work? Let's take a look...

This is the first screen you see when you fire up the app. It's wholly white, which obviously blends right in with IGN's page background. It also already sets up the mysterious, high-concept mood:

The stark white screen stays until you tap it. Apparently Curiosity takes your initial tap as a "yes" to the stark question above. You're next told how many people before you have downloaded and fired up Curiosity - a surprisingly powerful and compelling way to get both the cooperative and competitive juices flowing. I was the 335th person to try out Curiosity:

The cube has many layers, but getting to the center won't be easy...

What's more, only one person will get to hit that final block and see what's actually there. I certainly hope they choose to share what they see with the world...

After this enigmatic and oddly compelling into... we're finally here! On the cube itself! So... now what?

You can swipe your finger to rotate the cube, or pinch two fingers to zoom in and out. Zooming in reveals sections that other users have chipped away at that aren't visible from a distance. It's neat to see them slowly materialize.

Users are already beginning to clear away sections of the cube in an ad-hoc form of self expression:

Each layer of the cube promises to have something new underneath. A new color, a photograph, a painting... something that will satisfy each players', well... curiosity. But for now it looks like each side of the cube just has a blue-green layer underneath.

But let's get down to brass tacks. How does curiosity actually work? Blocks are deleted simply by tapping on them. Gamers start with a set amount of coins. I wholly expected to be charged a coin for each block I deleted. I expected them to refill slowly over time, and perhaps be charged real money for extra coins. But it turns out Curiosity actually does the opposite.

Each block you delete earns coins. If you delete blocks rapidly in an unbroken burst of play (work? participation?) a coin multiplier begins to tick upward. At first each block deleted just earns you one coin. But then two, three, and on upward with no upper limit that I could find.

This is a supremely interesting design decision because it means you're earning exponentially more coins the longer you play in one unbroken chunk. A user that deletes 1000 blocks a few at a time will only have 1000 coins. But a user that breaks 1000 blocks in a single chunk could earn 50 times that much currency.

But... what are these coins actually spent on?

The chisels, bombs and firecrackers in the menu above make you a more efficient block clearer for a limited time by allowing you to clear more cubelets with a single tap. These power-ups range in price from a few thousand coins up to 3 billion for the diamond pickaxe. What's a little more interesting is that even accessing the stats menu costs coins - 100, to be precise. Inside, you can see how many cubelets remain on the current layer of the cube, how many users are participating, how many cubelets you personally have cleared and plenty more.

Interestingly, the outer layer of the cube contains 100,000,000 cubelets just on its own. All of which must be cleared one by one. Anyone want to crunch some numbers and figure out how many total cubelets are contained within the cube, if it is solid all the way through?

So, there you have it. A first look at Curiosity from Peter Molyneux's new studio 22cans. The app is both absurdly simple and wildly complex. It's very silly and yet oddly compelling. Perhaps most unusual of all, given the current state of the App Store, is that Curiosity is an entirely free download, with no In-App-Purchases in sight. Yes, the entire experience is 100% free, from top-to-bottom.

Is it a video game? A piece of interactive art? To me, it feels like a commentary on mass cooperation. With millions upon millions of cubes to break, there is no getting to the center without cooperation on a massive scale.

Curiosity also makes me think about the human desire for self expression. The cube's grey face has no instructions in the same way that a canvas of wet sand has no instructions. No one tells you to write your initials in the sand with your finger. Or draw something considerably less benign and more vulgar, if that's or disposition. But it still spontaneously happens, regardless. We all want to leave our mark on the world, even if it is fleeting.

And so it is with Curiosity. Gamers don't need to be told to communicate using the surface of the cube. It just happens. And like messages written in sand, Curiosity's very nature ensures that any message left is fleeting. It will be washed away by the actions of other users, replaced with a new layer of the cube and new engravings.

Until the center is reached, at least. After that... who knows?

Spot something especially memorable on the cube? Add it to our user-powered gallery of curiosity sightings!

Justin is Editor of IGN Wireless. He has been reviewing mobile games since the dark days of Java flip phones. You can follow him on Twitter at @ErrorJustin and on IGN.


Source : ign[dot]com

The Worlds of Wreck-It Ralph 2

The new release Wreck-It Ralph is a movie that should appeal to anyone who loves CG animated adventures, but it has a special appeal for gamers. The movie is crammed with references and homages to video games of both the classic and modern era. Even the movie's two leads, Wreck-It Ralph and Fix-It Felix, are inspired by Donkey Kong and Mario, respectively.

As Ralph embarked on his quest for acceptance, the movie featured three game worlds inspired by real-world games and gaming genres. There was the Donkey Kong-esque Fix-It Felix Jr. arcade world. There was Hero's Duty, a hardcore sci-fi shooter inspired by games like Gears of War, Halo, and Metroid. And there was Sugar Rush, a world that was equal parts Mario Kart and Candy Land.

We were only disappointed that the movie didn't feature even more worlds. There are plenty of genres still ripe for Wreck-It Ralph's brand of spoofing. But with a sequel looking very likely at this point, the potential is still there. We've picked out a handful of worlds we hope to see appear in Ralph's next epic quest.

Fantasy World

As seen in: The Legend of Zelda, Fable, The Elder Scrolls

We're not expecting an actual movie based on the Legend of Zelda anytime soon, so the next best option might be to throw Ralph into a world inspired by Hyrule or Fable's Albion. Rather than the running and gunning of Hero's Duty, this world would force our heroes to navigate labyrinthine dungeons, contend with mind-bending traps and puzzles, and battle dragons, goblins, and the undead. Perhaps the movie could lampoon the endless, arbitrary fetch quests these games often saddle players with or the fact that action RPG heroes like Link so rarely speak.

Horror World

As seen in: Resident Evil, Silent Hill

Outside of Cyril the hatchet-wielding, emotionally supportive zombie, Wreck-It Ralph didn't pay much attention to the colorful legacy of horror gaming. To some degree that's understandable, as it can be difficult to maintain a family-friendly PG rating when dealing with nightmarish landscapes and zombies, vampires, and the like.

Still, we'd like to see more horror representation next time around. There has to be a way to put a more colorful and less scary spin on popular games like Resident Evil and Silent Hill. What happens when Ralph's giant fists go up against a Pyramid Head or Tyrant? Is it possible to scare even the unflappable Sgt. Calhoun? Are all zombies as friendly as Cyril when they aren't on the clock? These are questions that need answering.

JRPG World

As seen in: Final Fantasy, Dragon Quest

If any gaming sub-genre could do with a little Wreck-It Ralph spoofing, it's the Japanese RPG. Games like Final Fantasy are known for their epic role-paying experience and creative worlds, but also for outlandish fashion design, androgynous male heroes, strange animal sidekicks, and intricate attack sequences that take entire minutes to play out in some cases.

Why not throw Ralph and the gang into a world that draws on these elements? In general, we'd like to see more of Japan's rich gaming culture reflected next time around. Cameo appearances from Nintendo characters and an “Aerith Lives” tag spray-painted on a wall aren't enough. And really, with Square-Enix's RPG characters already mingling with the Disney crowd on a regular basis in the Kingdom Hearts games, is it that much of a stretch?

Fighting Game World

As seen in: Street Fighter, Mortal Kombat

Zangief pretty much stole the show in the movie's early moments. But we never did get to see his talent for crushing a man's skull between his thighs in action. And while that might sound grotesque for a Disney movie, they did get away with allowing Kano to rip out someone's heart. Maybe Cyril can take another one for the team.

In any case, we'd love to see Ralph and his friends thrust into a world inspired by popular fighting games like Street Fighter and Mortal Kombat. Imagine Ralph battling a character like Goro or setting a new high score in Street Fighter's car smashing mode. Even the 2D perspective of these games could offer the animators some fun new opportunities for CG storytelling.

Adventure World

As seen in: Uncharted, Tomb Raider, Pitfall

The recent announcement about Disney buying Lucasfilm has us hoping that Indiana Jones will be back in action before too much longer. Perhaps a Wreck-It Ralph sequel can allow Disney to dip their toes into the international pulp adventurer pool by including a world inspired by Indy-esque games such as Uncharted and Tomb Raider.

The first movie did a great job of taking the Halo/Gears of War shooter formula and delivering an epic action sequence built around it. We'd like to see the sequel do something similar for these titles. The movie could deliver epic dashes through tombs, ruins, and jungles that could put any previous live-action efforts to shame.

MMORPG World

As seen in: World of Warcraft, Second Life

One popular gaming genre that has a huge amount of potential for a Wreck-It Ralph sequel is the massively multiplayer online RPG. While World of Warcraft is still the most popular MMORPG, we're not focused on the fantasy elements this time. Instead, we're more interested in the social aspect of these games and the ways they connect players.

Director Rich Moore has already talked about how a sequel “would bring the characters involved a bit more up to date.” An MMORPG would drag Ralph and friends out of the arcade and into the modern gaming landscape. A gaming landscape inspired by WoW or Second Life would allow the characters to actually interact with humans in a way they really can't when they're stuck inside of an arcade machine. The potential here is almost limitless, both in terms of the worlds it can allow and in exploring the poignant relationship between gamers and gaming heroes.

Jesse is a writer for various IGN channels. Allow him to lend a machete to your intellectual thicket by following @jschedeen on Twitter, or Kicksplode on MyIGN.


Source : ign[dot]com

Thursday, November 1, 2012

U.S. Gets Limited Release of Pink 3DS XL

Nintendo of America announced via Twitter today that U.S. gamers can now purchase a pink and white 3DS XL. Well... sort of. The Kirby-colored system, which came out not long ago in Japan, is only being made available in limited quantities. You must be a member of the shopping site Gilt to purchase it.

The pink XL is available in two bundles - one with Professor Layton and the Miracle Mask (read our full review here) and one with Style Savvy: Trendsetter. Both are being offered for $219.99.

Audrey Drake is an Associate Editor at IGN and a proud member of the IGN Nintendo team. She is also a lifelong gamer, a frequent banisher of evil and a wielder of various legendary blades. You can keep track of her wild adventures by following Aminka on IGN or @GameOnAminka on Twitter. Game on!


Source : ign[dot]com

Monday, October 15, 2012

Xbox 360 Gets Holiday Price Cut

Microsoft has announced a $50 price cut for Xbox 360. Just in time for the holidays, Microsoft has revealed two new bundles priced at $250 aimed at hardcore gamers and at families.

The first bundle offers a 250GB Xbox 360 and includes a download voucher for The Elder Scrolls V: Skyrim along with a copy of Forza Motorsport 4, a headset and a controller. The second bundle, aimed at families, includes a 4GB Xbox 360, a Kinect sensor and copies of both Kinect Adventures and Kinect Disneyland Adventures. Both sets also include one month of Xbox Live, Hulu Plus and Epix Movies.

This is the second price drop we’ve seen today, following Nintendo’s Wii price cut announcement this morning. Nintendo is surely prepping for Wii U and Microsoft may be doing the same for its new system considering we last heard Microsoft is targeting the next Xbox for September 2013.

For more on the games in the bundle, read our Forza 4 review, our Skyrim review, our Kinect Adventures review and our Kinect Disneyland Adventures review.

Andrew Goldfarb is IGN’s associate news editor. Keep up with pictures of the latest food he’s been eating by following @garfep on Twitter or garfep on IGN.


Source : ign[dot]com

Tuesday, October 2, 2012

Mass Effect Trilogy DLC to Vary by Platform

Bioware has confirmed that its Mass Effect Trilogy bundle will include some DLC, but how much will depend on which platform you buy it on.

According to Eurogamer, PC gamers will be getting the best deal in terms of included DLC, while it still isn't clear exactly what PS3 players will receive.

PC copies of Mass Effect Trilogy will apparently come with Mass Effect's Bring Down the Sky and Pinnacle Station add-ons included free of charge, alongside Mass Effect 2's Cerberus Network DLC which unlocks the squadmate Zaeed as well as extra missions and weapons. The PC version will also get Mass Effect 3's online pass.

The Xbox 360 version meanwhile won't come with any of the original Mass Effect DLC, but will get both Mass Effect 2's Cerberus Network content and also the final game's online pass.

In terms of what PS3 players should expect, Bioware has apparently refused to divulge exactly what will be included on-disc but promised that more info would be coming "soon".

In addition, the game's release date has also been tweaked; it's now being released in America on November 6 for Xbox 360 and PC, while the date for the PS3 version is still "TBA". No release information for territories outside of America has been announced.

Luke Karmali is IGN's UK Editorial Assistant. You too can revel in mediocrity by following him on IGN and on Twitter.


Source : ign[dot]com

Monday, September 24, 2012

Street Fighter vs. Tekken vs. Mortal Kombat

Fighting games have bruised our fingers and battered our egos for decades. In the competitive gaming space, no genre does it quite like the fighter. They pound gamers over the head with mind-numbing combos and split-second timing. They take the spotlight in living rooms and Las Vegas tournaments. They're everywhere. And considering the rabid communities that spring up around these franchises, you can expect that the fighting game greats get compared to each other now and then.

The Street Fighter, Mortal Kombat, and Tekken franchises have been brawling since the other 90s. We decided to pull out a few numbers and see how each series compares. We don't have any money on this fight. No legs will be broken. We just love the thrill of the game.

Brian Altano throws things together for IGN with enough class to impress this guy. Follow him on Twitter.

Ryan Clements writes for IGN and helped Altano stay positive today. He also ate a banana. Follow him here on IGN or over on Twitter.


Source : ign[dot]com

Game Freak Hopes to Release Harmo Knight Outside Japan

Good news for gamers outside Japan who are eager to get their hands on Rhythm Hunter Harmo Knight, the first full 3DS title by Pokémon developer Game Freak. In a recent IGN interview with Pokémon bigwig/Harmo Knight producer Junichi Masuda, he stated his desire to bring the game to North American and European audiences.

“In terms of a North American or European release, it's definitely something we'd like to do, but we're working out the details with Nintendo now and seeing what would be the best way to get that to players,” he said.

As for how this distinctly non-Pokemon game came to be, Masuda said it was conceived by James Turner, a British national who works at Game Freak. He and his team of 25 people have apparently been working on Harmo Knight for about a year and a half.

“Within Game Freak, we've implemented a kind of new system where employees can come up with original ideas for their games,” he said. “If they can find at least three co-workers to jump on the project and say they want to do it together, then they'll be able to proceed with that project.”

This company policy isn’t just to encourage the creation of cool, new IPs - it’s also meant to improve the quality of the Pokémon series. “One of the nice things about smaller projects like that is... since it's a project that you really wanted to do, you've kind of signed on to do that project. You're really interested in it,” he said. “There's also very few people and a short schedule, so everyone has to work on multiple aspects that they might not normally work with. So by doing that, you really build up experience, which translates back into the Pokémon games.”

For more from my interview with Masuda-san, as well as Pokémon Black 2 and White 2 director Takao Unno, head to this link. And, as always, stay tuned to IGN for all things 3DS.

Audrey Drake is an Associate Editor at IGN and a proud member of the IGN Nintendo team. She is also a lifelong gamer, a frequent banisher of evil and a wielder of various legendary blades. You can follow her wild adventures on her IGN blog and Twitter. Game on!


Source : ign[dot]com

Friday, September 14, 2012

Nintendo Announces Wii U Showcase Tour

Nintendo has announced it'll be touring the Wii U around the UK to give gamers a chance to get hands-on with the title.

The tour will kick off on September 27 and visit a range of shopping centres, gaming expos and events across the UK before drawing to a close on January 6.

With the console due to launch in the UK on November 30, there's plenty of time for you to try out the console and decide whether it's what you're looking for. A range of titles will be available to try, including New Super Mario Bros. U, Nintendo Land and ZombiU.

Alongside this, there'll also be the chance to win prizes and try out upcoming Nintendo 3DS XL titles before they launch, including the latest Pokémon and Mario adventures.

The full list of tour dates is below:

  • Eurogamer Expo, London: 27 – 30 September
  • Braehead shopping centre, Glasgow: 11 – 14 October
  • Play Expo, Manchester: 13 – 14
  • Westfield, Derby: 18 – 21 October
  • MCM Expo, London: 26 – 28 October
  • Highcross Shopping Centre, Leicester: 1 – 4 November
  • The Bullring, Birmingham: 8 – 11 November
  • Westfield Stratford City, London: 15 – 18 November
  • Metro Centre, Newcastle: 22 – 25 November
  • Gadget Show Christmas, London: 30 November – 2 December
  • Westfield, London: 6 – 9 December
  • Centre: MK, Milton Keynes: 13 – 16 December
  • Arndale centre, Manchester: 3 – 6 January

Luke Karmali is IGN's UK Editorial Assistant. You too can revel in mediocrity by following him on IGN and on Twitter.


Source : ign[dot]com

Thursday, September 6, 2012

Diablo Meets Tower Defense in The Mighty Quest for Epic Loot

Judging from Diablo III's sales numbers, pointing, clicking, and looting are all clearly activities that gamers enjoy. For the just-announced hack-and-slasher A Mighty Quest for Epic Loot, the developers at Ubisoft Montreal -- normally folks who spend their time crafting eight-figure-budgeted blockbusters that set you back $60 apiece -- have a rather simple question for you:

Would you like to point, click, and loot for free?

Such is the unique offer that Mighty Quest makes, though it's far more than a simple free-to-play Diablo clone. It's actually a two-sided affair of attacking and building. The former you're already quite familiar with from years spent playing Blizzard's devilishly successful franchise and its countless imitators. It even lifts Diablo III's interface almost exactly, with a health bar, mana bar, and four skill/attack slots. So it's the latter that sets Quest apart. On defense, you'll create your own dungeons using a handy level-creation tool, easily dragging, dropping, rotating, and populating challenging scenarios that other players will be faced with navigating and completing when they go into Attack mode. It's true that the team at Ubi Montreal will provide a batch of pre-baked scenarios for all to both traverse and study using either of the two included character classes (Knight and Archer), but the bulk of Quest's content generation will come from gamers themselves.

As in any good tower defense game, you won't simply be able to pile everything and the kitchen sink into your dungeon in Defend mode. You'll be on a budget, which both maintains competitive balance by keeping you from loading a room with every boss in the game simultaneously and prevents you from soaking up every drop of RAM from the PCs of your map's visitors. But you can add a healthy selection of monsters and trap-laden structures. Some of them are even themed, like a forge that featured flame-spewing ovens, which led to a final room guarded by a fire-breathing dragon named Mr. Firesly.

Interestingly, your character level and castle levels are separated. The idea is that you're meant to have to play the Defend mode in order to advance in it and unlock new and better fortifications and not simply rely on your offensive skills in order to hack-and-slash your way to an über-castle. And the longer players spend in your sanctuary of sadism, the more you'll be rewarded. In other words, the tougher you're able to make it on your fellow gamers, the better you'll be compensated. And you're asked to rate each castle you complete on a five-star scale, pushing the better designs to the top of the community's virtual bulletin board and earning gold for skilled builders. Better still, you're able to easily create bets with your friends. Challenge them, for instance, to get through the castle you just completed in under a certain amount of time, and bet the gold amount of your choice on it. To even the odds, you'll be able to set the character level for the both of you, so if you're level 20 but your pal is only 12, you can set it to 20 and give your buddy a taste of what's in store for him when he spends a bit more time with the game.

Fittingly, you'll see that, as the title indicates, A Mighty Quest for Epic Loot doesn't take itself too seriously. It's an intentionally tongue-in-cheek take on genre tropes, even if the core gameplay is plenty serious. Beta keys are starting to go out now, so you'll soon have the chance to judge for yourself if Mighty Quest is a laughing matter or not.

Ryan McCaffrey is the Executive Editor at IGN Xbox. He used to own a DeLorean, which is weird. Follow him on Twitter, on IGN, catch him on Podcast Unlocked, and drop-ship him Taylor Ham sandwiches from New Jersey whenever possible.


Source : ign[dot]com

Thursday, August 30, 2012

Skyrim DLC on PlayStation 3 May Never Happen

While gamers on Xbox 360 and PC are going to be able to experience all of the DLC Bethesda has planned for The Elder Scrolls V: Skyrim, it appears PlayStation 3 gamers may indeed be left out in the cold. After noting that the DLC hadn’t necessarily even been announced for PlayStation 3 and admitting that Dawnguard’s performance on PS3 is unsatisfactory, Bethesda’s Global Community Lead posted on the Bethesda forums with some ominous news.

Here’s the post, in full:

“Earlier in the month, we provided an update on Dawnguard's status for PS3.

“It's been a few weeks, and we wanted to make sure everyone knows where we're at with Dawnguard. Skyrim is a massive and dynamic game that requires a lot of resources, and things get much more complex when you're talking about sizable content like Dawnguard. We have tried a number of things, but none of them solve the issue enough to make Dawnguard good for everyone. The PS3 is a powerful system, and we're working hard to deliver the content you guys want. Dawnguard is obviously not the only DLC we’ve been working on either, so the issues of adding content get even more complicated. This is not a problem we’re positive we can solve, but we are working together with Sony to try to bring you this content.

“We wish we had a more definitive answer right now. We understand the frustration when the same content is not available on all platforms. When we have an update, we will certainly let you know. We deeply appreciate all the time and support you have given us, and we’ll keep doing our best to return that.”

Bethesda’s seeming inability to get its game to work on PlayStation 3 means that, according to them, the content may never come out at all. “This is not a problem we’re positive we can solve,” they admit, “but we are working together with Sony to try to bring you this content.” And the fact that more and more additions to the game are making the problem even more complicated, as explained in the post, means that things are looking exceptionally dire.

We’ll keep our fingers crossed that Skyrim’s DLC does indeed make its way to Sony’s console, but in the meantime, it’s not looking too good.

Colin Moriarty is an IGN PlayStation editor. You can follow him on Twitter and IGN and learn just how sad the life of a New York Islanders and New York Jets fan can be.


Source : ign[dot]com

Thursday, August 23, 2012

Final Fantasy Dimensions Coming Later This Month

Square Enix has finally revealed a release date for its hotly anticipated iOS Final Fantasy spin-off. According to the game’s official website, gamers will be able to get their hands on Final Fantasy Dimensions next Friday, August 31.

Final Fantasy Dimensions on iOS is actually an updated and modernized version of Final Fantasy Legends, an episodic RPG series that hit Japanese flip-phones throughout 2010. Individually each episode can be completed in around three hours, but the 13 episodes put together offer up a full-fledged 35-40 hour adventure.

The iOS port will be the first time the episodic title has been available in English. In addition to the new translation, the port also features improved graphics, touch-powered menus and a new “sliding control pad.”

We went hands-on with the title at E3. In that earlier build character movement felt a little awkward via the virtual D-pad. But selecting combat options via a simple touch screen makes a lot of sense and instantly felt intuitive.

Square Enix has not confirmed to IGN whether Final Fantasy Dimensions will be released as a single title or in individual episodic chunks. A final price point has also not been announced.

IGN will have more on Final Fantasy Dimensions as it nears launch. In the meantime gamers should catch up on our E3 impressions, videos and screenshots.

Justin is Editor of IGN Wireless. He has been reviewing mobile games since the dark days of Java flip phones. You can follow him on Twitter and IGN.


Source : ign[dot]com

The Walking Dead Episode Two iOS Dated

Telltale Games announced today that The Walking Dead: The Game - Episode Two: Starved for Help will hit the App Store next week. Gamers will be able to grab the episode for $4.99 as an In-App Purchase within The Walking Dead: The Game. Episodes 2-5 are also available in a single package for a discounted $14.99.

The second episode of the studio’s zombie mega-hit debuted on consoles and PC to significant critical acclaim in late June. IGN awarded the title an 8.5  / 10 Editor’s Choice distinction, praising the game’s impressive storytelling and ability to force heavy moral choices onto players.

The Walking Dead: The Game is compatible with iPad 2 and iPhone 4 devices and newer. Players seamlessly control the action via the touch screen, replacing mouse clicks or controller inputs with simple touch-screen taps.

Telltale hasn’t provided a specific release date, but a launch on Thursday, August 30 seems a safe bet given the history of previous major App Store releases.

Justin is Editor of IGN Wireless. He has been reviewing mobile games since the dark days of Java flip phones. You can follow him on Twitter and IGN.


Source : ign[dot]com

Wednesday, August 15, 2012

Cafeteria Nipponica Review

What is it?

Cafeteria Nipponica from mobile sim superstar Kairosoft gives gamers the opportunity to run their own restaurant, growing it from a tiny diner into a massive food empire. Players combine ingredients to create an ever-improving library of dishes, upgrading them to boost stats like texture, aroma and appearance. Serving the right dishes and hiring the right staff unlocks more and more customer archetypes, each with their own specific food quirks and demands. By the end of Nipponica’s time limit, good managers will be serving clientele that includes oil barons, pop idols and executives, all in an effort to become the top-ranked eatery in the city.

Did we like it?

Cafeteria Nipponica’s slow pace and obtuse instructions limit its fun factor. Like all Kairosoft games, it’s an entreprenurial rush to finally save up enough dough to expand your restaurant or buy an extremely expensive rare ingredient. The problem is that you’ll spend most of your play time just sitting and waiting, slowly watching your money climb until you can actually do something. The gameplay is far too passive.

The core gameplay loop focuses on discovering recipes, then refining those creations into higher quality, more expensive variations by adding in new ingredients. But this process is never clearly explained. At the end of the game some dish recipes I collected the beginning I still couldn’t create, because I never got my hands on a required base ingredient. The process of discovery can be fun, but not when it’s inscrutable.

Should you buy it?

Despite its slow pace and frustrating advancement system, Cafeteria Nipponica is still a decent tycoon title. At $3.99, making little decisions like swapping out a table for a comfy booth to attract a different type of customer can still satisfy gamers looking for a light sim title with a quirky sense of humor and retro pixel style.


Source : ign[dot]com

Thursday, August 9, 2012

Witcher Dev: DLC Should be a Free Service

CD Projekt RED’s Konrad Tomaszkiewicz believes that DLC should be given to gamers for free as thanks for legitimately purchasing a title.

In an interview with VG247, the Witcher developer shared his view that downloadable content should be viewed as a post sale service for consumers.

Back when retail games were dominant, we had expansion packs. These were really large chunks of content, which were worth their price.

"We’ve always believed in free DLCs. The thing is that we consider DLCs as a normal post sale service, which shouldn’t be priced," he said.

"Back when retail games were dominant, we had expansion packs. These were really large chunks of content, which were worth their price.

"If today’s DLCs offered the same amount of content, they would be worth paying for, but in most cases players think they are overcharged for what they receive. That’s why we offer expansions to our game for free. This is also a way of saying “thank you” to the people who decided to buy our game instead of copying it from an unauthorised source."

It's the latest in a series of comments from within the industry that suggests big companies are starting to reassess the role of downloadable content in games. In May, Capcom revealed it was re-evaluating its attitudesto on-disc DLC following fan backlash. Team Ninja boss Yosuke Hayashi also recently labelled DLC characters in fighting games as "unfair", and announced none would be present in Dead or Alive 5.

There's still no concrete word on whether CD Projekt RED is planning to make a third instalment in the Witcher franchise, though a recent batch of job postings suggests it could be on the cards.

Luke Karmali is IGN's UK Editorial Assistant and has never bought DLC in his life. You too can revel in mediocrity by following him on IGN and on Twitter.


Source : ign[dot]com

Thursday, August 2, 2012

Bethesda “Not Yet Satisfied with Dawnguard’s Performance on the PS3”

The saga concerning The Elder Scrolls V: Skyrim on PlayStation 3 continues unabated. The chatter has recently revolved around PS3 gamers not getting a patch other platforms already received, as well as a Bethesda executive noting that Dawnguard DLC wasn’t even announced for platforms other than Xbox 360. But then news broke that PS3 gamers may indeed receive the Dawnguard DLC after all.

Today, Bethesda has confirmed that Dawnguard is up and running on PlayStation 3, but there’s a catch: it’s not running well. Posting on its official blog, Bethesda notes that it’s “not yet satisfied with Dawnguard’s performance on the PS3. We would like for everyone to have a chance to play Dawnguard, but we aren’t going to release it for PS3 knowing that some people’s experience in Skyrim will be worse. We do everything we can to have our content available to all; from our free updates, to user mods, to paid DLC. We’re as disappointed as our fans when that isn’t the case, but we’ll continue to push for that reality.”

The post doesn’t technically confirm that Dawnguard will actually be released for PlayStation 3; in fact, the wording can be interpreted that it may never come out. However, we’ve reached out to Bethesda for official comment and clarification.

Dawnguard’s issues on PS3 follow a litany of problems the PS3 iteration of Skyrim has experienced since its launch last November, problems well chronicled here at IGN.

The DLC pack in question originally came to Xbox 360 last month, and was released today for PC.

Colin Moriarty is an IGN PlayStation editor. You can follow him on Twitter and IGN and learn just how sad the life of a New York Islanders and New York Jets fan can be.


Source : ign[dot]com

Thursday, July 26, 2012

Report: Sony Showing Two Unannounced Games at Gamescom




This year have provided PlayStation gamers with a deluge of new announcements, from God of War: Ascension and Beyond: Two Souls to PlayStation All-Stars Battle Royale and The Unfinished Swan. And according to PlayStation Universe, the new game reveals will continue unabated at this year’s Gamescom show in Cologne, Germany.


PSU reports that it “has received details on Sony’s line-up for Gamescom,” and that Sony “will indeed showcase two previously unannounced games” during the show. Based on the information it has received, “one of the games is from a ‘Japan Studio,' while the other is apparently a new 'Move IP'."







The reference to “a” Japan Studio is confusing. Could this be referencing Sony’s full-owned Japanese developer Studio Japan, or another second or third party developer from Sony’s home country? Also confusing is the announcement of a new IP for PlayStation Move, a peripheral that has largely failed to resonate with both the hardcore community and the general consumer. It's worth noting that the latter description is confirmation that this new IP, if it actually exists, will be for PlayStation 3. However, the former rumored title could be for PlayStation 3 or PlayStation Vita.


Nonetheless, this report joins other Gamescom-related PlayStation rumors, including that the company may be prepared to show a new version of the PlayStation 3 at the show, which takes place from August 15th through August 19th.


We’ve reached out to Sony for more details on both of the rumored game reveals and will update with any new information we receive.







Colin Moriarty is an IGN PlayStation editor. You can follow him on Twitter and IGN and learn just how sad the life of a New York Islanders and New York Jets fan can be.



Source : ign[dot]com

Wednesday, July 25, 2012

The Hardcore Potential of Social Games

Right now most hardcore gamers decry social games as too casual. Where’s the skill? The twitch reflexes or deep strategy? The genre is written off as nothing more than a collection of software finely tuned to squeeze the maximum amount of money possible out of middle-aged moms. The term “Zynga trash” comes up often in enthusiast forums and comment sections.

While I personally don’t agree (I think a social game is a perfectly acceptable way to kill five minutes), it’s an opinion I understand. Some of my favorite video games feature extremely deep, chess-like strategy (Advance Wars), or extremely intense focus and motor skills (Super Monkey Ball 2). Neither of these elements are present in social games.

My question is simple: What if they were?

Below are three major ways AAA console games could be improved by incorporating ideas pioneered in the social games space.

Single Player with Benefits

Social games’ poor reputation among the hardcore set is fairly well-earned. Incessant cloning, overly-aggressive freemium pricing, and banal themes all-but ensured that the social category would remain the domain of soccer moms.

Leave ammo drops for your friends in especially tricky moments of Uncharted.

Perhaps the most damning complaint of all is that social games aren’t even really very social. Sure gamers can send each other gifts or visit each other’s farms, but the core gameplay experience is generally a solitary experience.

But maybe there’s something to that. Maybe there’s a way for your friends or for the millions of strangers playing a single-player game to actually have an influence on your adventure through the game. The game can remain a single-player experience, but it can unfold in a social context. Connected gaming can enhance single-player experiences.

Gamers could leave an ammo drop or weapon care package for their friends in a section of Uncharted 4 they had a hard time with. Items and messages could be left for friends in their GTA VI safe houses. The popularity of weapons or items purchased via in-game shops could impact their prices, helping to maintain game balance.

Some early examples:

Dark Souls: Players can leave notes to help (or hinder) the progress of other adventurers.

Animal Crossing: Multiple friends of family members inhabit the same town, and can work together as neighbors.

Massively Single Player

One of the coolest events Blizzard ever pulled off in World of Warcraft was the Ahn'Qiraj World Event in 2006. In the game, the Gates of Ahn’Qiraj were sealed by powerful magic, locking up a brand new raid dungeon. The doors would only open if thousands of horde and alliance players set aside their differences and worked together towards a common goal.

Players had to acquire what was at the time an almost unbelievably high number of war supplies. 400,000 Runecloth Bandages. 180,000 pieces of light leather. 90,000 Copper Bars. The list goes on.

Although WoW has always been a game focused around online multiplayer (it is an MMORPG after all), this was an especially cool event because it relied on the contributions of every individual. No mega-guild, no matter how powerful, could raise the required materials themselves. Even if your low-level character could only make a few bandages per day, every contribution mattered.

Worldwide progress could help take down Skyrim mega-dragons.

Now imagine if single-player games implemented worldwide goals and events that could affect the game world for everyone.

Elder Scrolls VI could introduce a massive, nigh-invincible dragon enemy. Only by players collectively crafting millions of high-level weapons would shops sell the equipment necessary to defeat it. Special post-game mission content could be unlocked in Call of Duty: Black Ops III only when players collectively killed 1 billion terrorists. A special 24-hour police crackdown event could happen in GTA VI every time 1 million police officers are ran over.

The games could remain single-player experiences, but the game worlds made more dynamic and alive thanks to millions of players working together towards common goals.

A few early examples:

Noby Noby Boy: Players stretch Noby Noby Boy. Once players collectively stretched enough miles to reach the moon, it was unlocked as a playable level. Mars, Saturn and Jupiter have also been reached.

Battlefield 1943: The Coral Sea multiplayer map was unlocked after the community collectively reached 43,000,000 kills.

On-the-Fly Data-Driven Design

Cliff Bleszinki made headlines recently for saying that he was tired of easy games and that Gears of War: Judgement would amp the difficulty back up.  But in a Game Developers Conference talk several years ago, the Epic Games creative exec told the crowd of game-makers that you can’t make your easy mode easy enough. What if your easiest difficulty is still too challenging for someone? You then have a gamer, casual and ill-equipped as they may be, that is no longer having fun.

The reverse problem also crops up. Many longtime Bungie fans complained that Halo: Reach was simply too easy, even on Legendary, its most extreme difficulty level.

What is a game maker to do?

One potential solution is to take a page from the book of social game makers like Zynga and treat games, even single player ones, like a live service. By constantly monitoring gameplay data and by frequently deploying changes, game makers could let the gameplay data itself determine difficulty on the fly.

343 could use live player data to determine Halo's Legendary difficulty.

If Halo: Reach is too easy for you on Legendary, you could just tell the game you want the enemy health, speed, damage and other stats set to a level that only, say, 0.1% of other gamers survived. Likewise, live stats on low-skilled players could ensure the game was never made too hard for anyone that just wants a breezy experience. “Very Easy” difficulty could be set so that the bottom 5% of performers can get through it.

In the social game space this kind of data-driven design is usually used to find high-value players; to maximize revenue. But it could easily be used for gameplay good. Developers do their best to playtest their games, but things fall through the cracks. Weapon drops in the next Call of Duty could be upped on-the-fly if Treyarch noticed that players consistently ran out of ammo in the same spot. Nintendo could place a few extra Koopas in a late level if they noticed that it was a little too easy compared to previous stages.

One upcoming example:

Warface: This upcoming free-to-play MMO isn't just competitive. A rotating selection of cooperative missions are also planned, similar to "daily quests" in MMOs.

Progress Through Connected Play

Social games will probably never be popular among hardcore games, but they still have some good ideas that would genuinely improve some of today’s biggest AAA games.

The three ideas outlined above are just that – ideas. Maybe they’ve been tried before. Maybe there are good reasons they only work in casual farming sims and not AAA shooters.

We live in a connected world. It’s up to AAA game makers to figure out how to utilize the world’s social connections in smart and clever ways without compromising their vision. Even if you don’t play any of its games, Zynga has shown the world that you can take advantage of today’s always-on connections  for much more than just another multiplayer mode.

Justin is Editor of IGN Wireless. He has been reviewing cell phone games since the dark days of Java flip phones. You can follow him on Twitter and IGN.


Source : ign[dot]com